© The Kremer Museum
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
