Museum without Walls

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

The process of “virtual reparation.”

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

DiMoDA 1.0 poster for Superchief gallery, 2016.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.