Museum without Walls

Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Houseplans, Phi Books (© Antonopoulou & Dare).

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.