Weekly meeting of the contidonãocontido project, with the curators-educators.
Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
© The Kremer Museum
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
Phi Books (© Antonopoulou & Dare).
Digitization with the RV Scanner for a PhD thesis at LAPID.
Riverine Archive, VR screen capture (© Antonopoulou & Dare).