DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
Map of the Third World's south-southeast island, 2011.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
Third World flag.
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
© The Kremer Museum
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
DiMoDA 1.0 - opening at Transfer gallery, 2015.
