Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
© The Kremer Museum
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
DiMoDA 1.0 - opening at Transfer gallery, 2015.
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).