Museum without Walls

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Digitization with the RV Scanner for a PhD thesis at LAPID.

Dossiers, Magazines, and Reports

"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.