© The Kremer Museum
Map of the Third World's south-southeast island, 2011.
Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
DiMoDA 1.0 poster for Superchief gallery, 2016.
Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).
