David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
Third World flag.
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.