Museums

Museum without Walls

Museum without Walls

Museum without Walls

Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

Demolition of houses at Vila Autódromo by the city government (© Luiz Claudio Silva / Museum of Removals collection).

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Stratigraphic Turbidities exhibition, by Yuri Frimeza - Museu de Arte do Rio, 2013 (© Wilton Montenegro)

The National Museum’s Digital Image Processing Lab (LAPID) is a pioneer in Brazil in the use of 3D technologies for heritage research and preservation. It was created almost twenty years ago from an informal partnership between researchers from the paleontology and egyptology fields. Over the years, the laboratory has expanded its activities to cover other areas of the museum as well.

Deploying techniques such as computerized tomography, surface scanning and 3D modelling, LAPID has become responsible for the digitization of items from the National Museum collection, from mummies to whale skeletons.

These replicas, which first served mostly for research purposes, have become important public documents after the fire that, in 2018, destroyed a large part of the Museum’s building and collection. Some of them can be seen in the laboratory’s Sketchfab accounts. Their exhibition is, often, the only way to provide access to what has been lost.

Currently, LAPID is collaborating in the reconstruction of the National Museum by means of digitizing internal areas of the building as well as recuperated artifacts. This documentation enables the survival of material heritage in the form of volumetric references that allows for its recognition and restnoration.

The replicas will be published in an online database that will make it possible for researchers to interact with them virtually, preserving original artifacts from the wear of direct contact.

LAPID / National Museum

Ongoing