Museums

Museum without Walls

Museum without Walls

Museum without Walls

Weekly meeting of the contidonãocontido project, with the curators-educators.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Phi Books VR (© Antonopoulou & Dare).

The Space Expanding Room: AFAAB in VR - The virtual Ant Farm Antioch Art Building is a digital space constructed from 1971 archival architect’s drawings. In this virtual space, avatars can meet, chat, graffiti, attend events, and make art, just as students were once able to interact in the real space, before it was abandoned in 2008. An AFAAB production. Concept, curating, and direction by Catalina Alvarez and Liz Flyntz. Construction and design by Ty Clapsaddle.

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

The National Museum’s Digital Image Processing Lab (LAPID) is a pioneer in Brazil in the use of 3D technologies for heritage research and preservation. It was created almost twenty years ago from an informal partnership between researchers from the paleontology and egyptology fields. Over the years, the laboratory has expanded its activities to cover other areas of the museum as well.

Deploying techniques such as computerized tomography, surface scanning and 3D modelling, LAPID has become responsible for the digitization of items from the National Museum collection, from mummies to whale skeletons.

These replicas, which first served mostly for research purposes, have become important public documents after the fire that, in 2018, destroyed a large part of the Museum’s building and collection. Some of them can be seen in the laboratory’s Sketchfab accounts. Their exhibition is, often, the only way to provide access to what has been lost.

Currently, LAPID is collaborating in the reconstruction of the National Museum by means of digitizing internal areas of the building as well as recuperated artifacts. This documentation enables the survival of material heritage in the form of volumetric references that allows for its recognition and restnoration.

The replicas will be published in an online database that will make it possible for researchers to interact with them virtually, preserving original artifacts from the wear of direct contact.

LAPID / National Museum

Ongoing