Museums

Museum without Walls

Museum without Walls

Museum without Walls

visit here

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.

© The Kremer Museum

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

This audio guide series fantasizes new exhibitions for the Espírito Santo Art Museum. In loco or from afar, the listener is led to explore what could be the State’s official space of representation if it were conducted by other institutions, in other ways, or at other times.

Guided tours were provided by the Ufes Curatorial Platform, the Raízes da Piedade Institute, the Origraffes collective, and the architects Mirella Schena and Clara Sampaio, responsible for the Museum’s recent renovation project.

Guided Tours

Ongoing