Museums

Museum without Walls

Museum without Walls

Museum without Walls

Phi Books (© Antonopoulou & Dare).

DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

© The Kremer Museum

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

You are the crossroad of your memories - Born from clay and modelled in 3D, this installation is composed by a virtual room, a performance program and a digital publication. Its shape, inspired by the moringa, an object used by aboriginal peoples for storing and cooling water, is a reminder and an invitation: a reminder that without its union with natural elements, our existence would not be possible; and an invitation to play with the porosity of memory, identity and body. Concept and realization: Pedra Silva, Garu e Rodrigo Lopes.

Weekly meeting of the contidonãocontido project, with the curators-educators.

This audio guide series fantasizes new exhibitions for the Espírito Santo Art Museum. In loco or from afar, the listener is led to explore what could be the State’s official space of representation if it were conducted by other institutions, in other ways, or at other times.

Guided tours were provided by the Ufes Curatorial Platform, the Raízes da Piedade Institute, the Origraffes collective, and the architects Mirella Schena and Clara Sampaio, responsible for the Museum’s recent renovation project.

Guided Tours

Ongoing