contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
