Museum without Walls

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The process of “virtual reparation.”

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

You are the crossroad of your memories - Born from clay and modelled in 3D, this installation is composed by a virtual room, a performance program and a digital publication. Its shape, inspired by the moringa, an object used by aboriginal peoples for storing and cooling water, is a reminder and an invitation: a reminder that without its union with natural elements, our existence would not be possible; and an invitation to play with the porosity of memory, identity and body. Concept and realization: Pedra Silva, Garu e Rodrigo Lopes.

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.