untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality
The process of “virtual reparation.”
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
© The Kremer Museum
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality