Museum without Walls

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

The process of “virtual reparation.”

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Torre (Heide Liebermann, 1981) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

DiMoDA 1.0 - opening at Transfer gallery, 2015.

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).