Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
© The Kremer Museum
Torre (Heide Liebermann, 1981) - access in augmented reality
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.