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Museum without Walls

Museum without Walls

Museum without Walls

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Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Dossiers, Magazines, and Reports

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

© The Kremer Museum

Third World encyclopedia.

Phi Books (© Antonopoulou & Dare).

"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"

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