Museum without Walls

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).

"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

Some other Espírito Santo Art Museum.