Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).
untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality
Subway (Norton, acrylic on wood, 2002) - access in augmented reality
Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
The process of “virtual reparation.”