Museum without Walls

Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

The process of “virtual reparation.”

Assembling displays for the Introduction to the Third World installation at CCBB-RJ, 2011.

Some other Espírito Santo Art Museum.

The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.