Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Torre (Heide Liebermann, 1981) - access in augmented reality
Weekly meeting of the contidonãocontido project, with the curators-educators.
Riverine Archive, VR screen capture (© Antonopoulou & Dare).