Museum without Walls

Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.

Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Phi Books presentation at the University of Copenhagen.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.