Museums

Museum without Walls

Museum without Walls

Museum without Walls

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Riverine Archive, VR screen capture (© Antonopoulou & Dare).

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

© The Kremer Museum

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

The process of “virtual reparation.”

Part of the Espírito Santo Art Museum collection was digitized and implemented as a series of augmented reality (AR) filters. The works are available as 3D models for those who want to take them for a walk around the city or in other virtual spaces.

This proposal experiments with the possibilities created by the new media systems to make public certain pieces of our heritage, not only in the sense of making these pieces known but also of provoking recontextualizations of their uses and meanings.

Our Collections was funded by the Aldir Blanc Law, via the Espírito Santo State Cultural Offices. All models are published under a CC BY-NC-SA 2.5 free license.

Our Collections

Ongoing