Museum without Walls

Some other Espírito Santo Art Museum.

Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

DiMoDA 1.0 - opening at Transfer gallery, 2015.

Phi Books (© Antonopoulou & Dare).

untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?