"Universe" plate - Introdução ao Terceiro Mundo, 2011.
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
© The Kremer Museum
DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
Phi Books VR (© Antonopoulou & Dare).
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
"Oracles" plate - Introdução ao Terceiro Mundo, 2011.