Museum without Walls

"Universe" plate - Introdução ao Terceiro Mundo, 2011.

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

Some other Espírito Santo Art Museum.

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.