© The Kremer Museum
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality
Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
DiMoDA 1.0 - opening at Transfer gallery, 2015.
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality