Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
Phi Books (© Antonopoulou & Dare).
Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).