Museum without Walls

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Riverine Archive, VR screen capture (© Antonopoulou & Dare).

Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

Phi Books VR (© Antonopoulou & Dare).

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.