Museum without Walls

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Map of the Third World's south-southeast island, 2011.

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Subway (Norton, acrylic on wood, 2002) - access in augmented reality

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

David Hall, TV Interruptions: The Installation, 1971. Comparison of real installation (Installed at Museum of Modern Art - MUMOK, Vienna, 2010) and VR simulation. Model by Sang Hun Yu (© University of Dundee/Estate of David Hall).

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.