Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
Riverine Archive, VR screen capture (© Antonopoulou & Dare).
"Oracles" plate - Introdução ao Terceiro Mundo, 2011.