© The Kremer Museum
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
Dense point cloud of the Redonda and Filhote islands. The photo sequence, indicated by the blue rectangles, shows the boat trajectory around the islands.
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Macrophallic amulter recovered from the fire at the National Museum (© LAPID).
