© The Kremer Museum
Digitization with the RV Scanner for a PhD thesis at LAPID.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Phi Books VR (© Antonopoulou & Dare).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Torre (Heide Liebermann, 1981) - access in augmented reality
Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
JOÃO ME-PRO-METEO, Um-PEXi (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality
DiMoDA 2.0 - RISD Museum, 2017. Works on display by Miyö Van Stenis (War Room), Rosa Menkman (DCT Syphoning The 64th Interval) and Theo Triantafyllidis (Self Portrait (Interior)) (© RISD Museum).