Museum without Walls

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

"Oracles" plate - Introdução ao Terceiro Mundo, 2011.

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality