Museum without Walls

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Phi Books VR (© Antonopoulou & Dare).

O gAViAO.PENAXO (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Phi Books (© Antonopoulou & Dare).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.