Museum without Walls

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Escadaria Maria Ortiz (Raphael Samú, screen printing on paper, 1981) - access in augmented reality

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.

Map of the Third World's south-southeast island, 2011.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Phi Books (© Antonopoulou & Dare).

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

David Hall, TV Interruptions: The Installation, 1971. Original installation plans (© Estate of David Hall/University of Dundee).

Digitization with the RV Scanner for a PhD thesis at LAPID.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.