Museum without Walls

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Dossiers, Magazines, and Reports

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

DiMoDA 1.0 poster for Superchief gallery, 2016.