Museum without Walls

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Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

Third World encyclopedia.

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Houseplans, Phi Books (© Antonopoulou & Dare).

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?