Museum without Walls

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Riverine Archive, VR screen capture (© Antonopoulou & Dare).

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.