Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).
Some other Espírito Santo Art Museum.
© The Kremer Museum
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality
Making of sculptures from the rubble of house demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
The process of “virtual reparation.”
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
Third World flag.
