Museum without Walls

Digitization of the fossilized skeleton of Mariliasuchus amarali with the Artec MHT.

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

Envensão nova urso con cachorro (Elpídio Malaquias, synthetic enamel on chipboard, 1992) - access in augmented reality

Aerial view of Vila Autódromo before demolitions (© Luiz Claudio Silva / Museum of Removals collection).

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

DiMoDA 1.0 poster for Superchief gallery, 2016.

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

"Oracles" plate - Introdução ao Terceiro Mundo, 2011.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.