Riverine Archive, VR screen capture (© Antonopoulou & Dare).
untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Luiz Claudio Silva / Museum of Removals collection).
Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).
© The Kremer Museum
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality