Museum without Walls

Polivisão XLIV X4 (Maurício Salgueiro, mixed media, undated) - access in augmented reality

Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).

Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality

David Hall, A Situation Envisaged: The Rite II, 1989-90. VR simulation presented at NEoN Festival, Dundee, Scotland, 2017. VR model by Rhoda Ellis, curated by Adam Lockhart (© Estate of David Hall/Rhoda Ellis/University of Dundee).

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

The process of “virtual reparation.”

Torre (Heide Liebermann, 1981) - access in augmented reality

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

Phi Books presentation at the University of Copenhagen.