DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.
Weekly meeting of the contidonãocontido project, with the curators-educators.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Vila Autódromo community association before being demolished (© Luiz Claudio Silva / Museum of Removals collection).
Riverine Archive, VR screen capture (© Antonopoulou & Dare).
Snapshot of the reconstruction of the National Museum (© Patrimônio Virtual / Prodec Engenharia).
David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
House demolition at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
© The Kremer Museum
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
