© The Kremer Museum
Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality
untitled (Nair Vervloet, oil on canvas, 1952) - access in augmented reality
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?
Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Houseplans, Phi Books (© Antonopoulou & Dare).
"Universe" plate - Introdução ao Terceiro Mundo, 2011.