The process of “virtual reparation.”
DiMoDA 1.0 - opening at Transfer gallery, 2015.
Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.
Phi Books (© Antonopoulou & Dare).
Subway (Norton, acrylic on wood, 2002) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Weekly meeting of the contidonãocontido project, with the curators-educators.
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
