Demonstration against evictions and demolitions at Vila Autódromo (© Luiz Claudio Silva / Museum of Removals collection).
What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
Weekly meeting of the contidonãocontido project, with the curators-educators.
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
Torre (Heide Liebermann, 1981) - access in augmented reality
© The Kremer Museum
Digitization with the RV Scanner for a PhD thesis at LAPID.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).
The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.
Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality