Museum without Walls

Photogrammetry mapping of Roman amphorae in the Mediterranean Culture room. Photos were obtained using a drone because the floor of the room was covered by pieces of collection items, making it impossible to reach these items.

Torre (Heide Liebermann, 1981) - access in augmented reality

DiMoDA 3.0, 2018. SIGGRAPH Asia partnership.

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.

Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).