Museum without Walls

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DiMoDA 1.0 poster for Superchief gallery, 2016.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Torre (Heide Liebermann, 1981) - access in augmented reality

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.

Perhaps the act of appropriation has an element of appreciation, but it is much more than that. Tutorship implies concern, but such response is not the only way (or the best one) to demonstrate care.