Dossiers, Magazines, and Reports
Map of the exhibition route across the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.
In opposition to the objects collected from the rubble of Providência, the archaeological finds that a century ago had been thrown there as leftovers now performed singularity, flaunting the strength of those who, in a gesture of insubmission to gravity and oblivion, had returned to the surface.
David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. Video documentation of VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Rhoda Ellis).
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
