Museum without Walls

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Donation of pieces from the Museum of Removals' collection to the National History Museum (© Museum of Removals collection).

The digitization of the Bendegó meteorite with the HandySCAN 3D was done in several parts that were digitally merged.

What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?

Third World flag.

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Non-space I (the degrading idea of home) - This work seeks to displace and reformulate the social aspect of the WebVR space. Employing verticality, mirroring as well as dislocation of the voice and images of viewer inhabited avatar bodies, it teases out other possibilities of social interaction to be explored. Concept and realization: Commonolithic.

DiMoDA 1.0 poster for Superchief gallery, 2016.

David Hall, A Situation Envisaged: The Rite II (Cultural Eclipse), 1988-90. VR experience presented at the NEoN Festival, Dundee, 2017. Development by Rhoda Ellis, curating by Adam Lockhart (© Adam Lockhart).