David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).
Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality
© The Kremer Museum
David Hall, TV Interruptions: The Installation, 1971. Screenshot from Unity showing sound design. Programming Sang Hun Yu (© University of Dundee).
DiMoDA 3.0 - 3LD, New York, June 2018. Work on display by Shane Mecklenburger.
Digital animation of the skeleton of the bird Rhea americana, based on kinematic study.
Meeting/workshop with residents and allies for the creation of the Museum of Removals (© Luiz Claudio Silva / Museum of Removals collection).
Since the Collection inherited a relatively random set of works and only recently implemented an acquisition policy, one cannot comfortably attribute to it the function of producing a historiography of art produced in the 20th century in Pernambuco. How, then, to deal with this condition?