Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".
untitled (Regina Chulam, oil on canvas, 1982) - access in augmented reality
The processes that culminated in the independence of the former European colonies affected disciplines that, directly or indirectly, legitimized colonial power. The New Museology movement provoked actions that brought the museum closer to the community, making it possible to include groups related to the safeguarded collections within the institutions.
untitled (Álvaro Conde, oil on canvas, 1944) - access in augmented reality
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
© The Kremer Museum
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.