Museum without Walls

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Some other Espírito Santo Art Museum.

Cacau (Nice N. Avanza, oil on canvas, 1988) - access in augmented reality

Lenhador (Dionísio del Santo, oil on canvas, 1987) - access in augmented reality

VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).

Today, the ruins of houses and collective equipments that were destroyed became part of the museum's collection and of what the residents call a memory route, along which several signs were installed to evoke spaces that existed in Vila Autódromo before the evictions.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.