Museums

Museum without Walls

Museum without Walls

Museum without Walls

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DiMoDA 3.0, 2018. Work by Paul Hertz (Fools Paradise).

"HISTORIC PROCESS"+ "ORIGIN MYTHS" + "THE FUTURE"

Since the community was being used as a construction site for the Olympic Park - one of the strategies used to pressure residents and compel families to accept the proposal of the City of Rio de Janeiro -, the sculpture “Suporte dos Males” and part of the sculpture “Espaço Ocupa e Casa da Dona Conceição” were destroyed by tractors.

Phi Books (© Antonopoulou & Dare).

Perceptions of the real in museums run the risk of creating a reality of fragmented discourses that, when removed from their original context, prevent us from perceiving an another reality, entirely diverse from our own, building a distorted image of the "other".

Third World flag.

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality

Vitória 18,35 horas (Raphael Samú, screen printing on paper, undated) - access in augmented reality

This audio guide series fantasizes new exhibitions for the Espírito Santo Art Museum. In loco or from afar, the listener is led to explore what could be the State’s official space of representation if it were conducted by other institutions, in other ways, or at other times.

Guided tours were provided by the Ufes Curatorial Platform, the Raízes da Piedade Institute, the Origraffes collective, and the architects Mirella Schena and Clara Sampaio, responsible for the Museum’s recent renovation project.

Guided Tours

Ongoing