Museums

Museum without Walls

Museum without Walls

Museum without Walls

DiMoDA 1.0 - opening at Transfer gallery, 2015.

In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.

Rigor Mortis - In this exhibition, the museum is turned into a horror movie setting, where the feeling of reality is distorted: logic falters, the body is shredded, inert objects become animated - life and death, dream and reality get confused. Creation & research: Renato Pera. 3D art: Caio Fazolin. Collaboration: Jye O'Sullivan and Marcos Pavão.

David Hall, TV Interruptions: The Installation, 1971. VR setup at Besides the Screen Conference, Kings College, London, 2018 (© Adam Lockhart).

Macrophallic amulter recovered from the fire at the National Museum (© LAPID).

Centro Cultural Banco do Brasil - Rio de Janeiro, 2011.

Reproductions of “artworks” which come with a glossary create a new perspective, add another meaning, or simply mix up the first meaning when facing what was initially appropriated by the artist.

contidonãocontido exhibition - Museu de Arte Moderna Aloisio Magalhães, 2010.

This audio guide series fantasizes new exhibitions for the Espírito Santo Art Museum. In loco or from afar, the listener is led to explore what could be the State’s official space of representation if it were conducted by other institutions, in other ways, or at other times.

Guided tours were provided by the Ufes Curatorial Platform, the Raízes da Piedade Institute, the Origraffes collective, and the architects Mirella Schena and Clara Sampaio, responsible for the Museum’s recent renovation project.

Guided Tours

Ongoing