What happens then in the future if an artist, collector or gallery wishes to re-exhibit an artwork where the original equipment has not been collected or the equipment required is entirely obsolete and unavailable?
David Hall, TV Interruptions: The Installation, 1971. Schematic showing 3D construction of Hantarex monitor in Maya software by Sang Hun Yu (© University of Dundee/Estate of David Hall).
DiMoDA 1.0 - opening at Transfer gallery, 2015.
Digitization of the coffin of the mummy Sha-Amum-em-su with the HandySCAN 3D.
Torre (Heide Liebermann, 1981) - access in augmented reality