untitled (Gilbert Chaudanne, acrylic on eucatex, 1997) - access in augmented reality
In indigenous time there is a notion of sequence, a before and an after, but this does not imply a fixed boundary between the past and the future, which, instead of being separated by the present, would be both contained within the now.
Dja Guata Porã exhibition, Museu de Arte do Rio, 2017-8.
untitled (Levino Fanzeres, oil on agglomerate, undated) - access in augmented reality
VR as a Presentation and Simulation Tool for Media Art Installations (presented at the ISEA 2020 Conference).
Fragmentos Rítmicos (Dionísio del Santo, oil on canvas, 1995) - access in augmented reality
© The Kremer Museum